Bobbin cap
1 / 3
Bobbin cap
2 / 3
Bobbin cap
3 / 3

Bobbin cap

Price: £35.00+P&P

Size: One size only

Material: Cotton

Colour: Black

Photo credits: Margaret Salmon

Mary shorts with skier
1 / 2
Mary shorts with skier
2 / 2

Mary shorts with skier

Price: £60.00+P&P

Size: S L

Material: Cotton

Colour: Black

Photo credits: Margaret Salmon

Dash People sweatshirt
1 / 3
Dash People sweatshirt
2 / 3
Dash People sweatshirt
3 / 3

Dash People sweatshirt

Price: £60.00+P&P

Size: XL

Material: Cotton

Colour: Black

Photo credits: Margaret Salmon

GUM t-shirt
1 / 2
GUM t-shirt
2 / 2

GUM t-shirt

Price: £60.00+P&P

Size: S L

Material: Cotton

Colour: Ecru

Photo credits: Margaret Salmon

Tab silk scarf
1 / 2
Tab silk scarf
2 / 2
Scutum umbrella
1 / 4
Scutum umbrella
2 / 4
Scutum umbrella
3 / 4
Scutum umbrella
4 / 4

Scutum umbrella

Jasperwear collection, 2018

Price: £25.00 + P&P

Material: Nylon

Photo credits: HIT / Bernie Reid / Morwenna Kearsley, Jospehine Pryde, Morwenna Kearsley, Zoe Ghertner

Cameo Roman, Greek, Egyptian necklaces
1 / 7
Cameo Roman, Greek, Egyptian necklaces
2 / 7
Cameo Roman, Greek, Egyptian necklaces
3 / 7
Cameo Roman, Greek, Egyptian necklaces
4 / 7
Cameo Roman, Greek, Egyptian necklaces
5 / 7
Cameo Roman, Greek, Egyptian necklaces
6 / 7
Cameo Roman, Greek, Egyptian necklaces
7 / 7

Cameo Roman, Greek, Egyptian necklaces

Jasperwear collection, 2018

Price: £100.00 P+P

Size: Chain length 34cm, adaptable to 24cm

Material: Silver chain and surround

Colour: Roman-grey, Greek-black, Egyptian-light blue

Photo credits: Zoe Ghertner, Josephine Pryde

Paperweight

Paperweight

Limited edition paperweight, edition of 40 + 5 Ap.  Please contact shop.serpentinegalleries.org then go to Limited Edition to purchase.

Jasperwear collection, 2018

Price: £216.00 + P&P

Size: 8 x 8 x 8cm

Material: Hand-blown glass

Photo credits: Morwenna Kearsley

Markus tracksuit bottoms
1 / 3
Markus tracksuit bottoms
2 / 3
Markus tracksuit bottoms
3 / 3

Markus tracksuit bottoms

Jasperwear collection, 2018

Price: £60.00 +P&P

Size: One size only

Material: Cotton

Colour: Black, Marl grey

Photo credits: Zoe Ghertner

DCI Lanyard
1 / 2
DCI Lanyard
2 / 2
Vessel enamel badge
1 / 2
Vessel enamel badge
2 / 2

Vessel enamel badge

Vessel enamel badge illustrates an armed Amazon woman in a trouser suit. The original perfume bottle, made in Athens around 470 BC sits in the British Museum. It is said to be the earliest recorded depiction of a woman wearing trousers.

Jasperwear collection, 2018

Price: £10.00 + P&P

Size: 4cm in height

Material: Enamel

Photo credits: Zoe Ghertner

Gang enamel badge
1 / 2
Gang enamel badge
2 / 2

Gang enamel badge

Jasperwear Collection, 2018

Price: £10.00 + P&P

Size: 4cm in height

Material: Enamel

Photo credits: Josephine Pryde

Boat and wave organic t-shirt
1 / 2
Boat and wave organic t-shirt
2 / 2

Boat and wave organic t-shirt

Jasperwear collection, 2018

Price: £60.00 + P&P

Size: XS

Material: Organic cotton

Colour: White

Photo credits: Morwenna Kearsley

Inventors of Tradition

Inventors of Tradition

Published by Koenig Books, 2011
144 pages
Hardcover
Out of print

View PDF

 

Size: 24 × 32cm

Photo credits: Design by HIT

Travel blankets with leather holder
1 / 3
Travel blankets with leather holder
2 / 3
Travel blankets with leather holder
3 / 3

Travel blankets with leather holder

Woven travel blankets by Atelier E.B and Marc Camille Chaimowicz with leather holder.

Scotland Can Make It! Glasgow, 2014
‘How D’You Know Me’ (1/3) SOLD OUT
‘Fade to Grés’ (2/3)
‘Emma…’ (3/3)

 

Please contact Panel shop for sales enquires.

Price: £545.00 + P&P

Size: 137 x 183cm

Material: Lambswool, cashmere and leather

Photo credits: Rob Smith

Lapidary Stylist edition

Lapidary Stylist edition

Shantung silk Clovis workcoat from The Inventors of Tradition collection, 2011
Liquid to Kohl screenprint on calico cotton fabric poster, 140 × 44cm

Kölnischer Kunstverein Annual Editions Exhibition, Cologne, 2011
Edition of 10 + 2 AP

Price: £500.00

Material: Silk and calico cotton

Photo credits: Rob Smith

Ost End Girls Collection fabric poster

Ost End Girls Collection fabric poster

2013

Price: £30.00 + P&P

Size: 42 x 59cm

Material: Screen print on cotton

Photo credits: Atelier E.B

Paravent VI (Blanc Veiné / Fantasy football pitch)
1 / 2
Paravent VI (Blanc Veiné / Fantasy football pitch)
2 / 2

Paravent VI (Blanc Veiné / Fantasy football pitch)

Atelier E.B’s first paravent was made for The Inventors of Tradition project in 2011, which required a folding screen to break up the exhibition space. With it they discovered an idiom that could serve several purposes, acting a site for collaboration and experimenting with materials, as well as providing a bridge between art and design, painting and sculpture.

The works are functional room dividers and essential changing-room furniture in Atelier E.B’s shop installations. Nonetheless, they are priced as contemporary art, and it is their fine art status that subsidises Atelier E.B’s ethical fashion label. The income they generate provides the resources for lengthy periods of research and experimentation, and allows the price of the garments to remain as low as possible for the consumer.

As a general rule, one side of the paravent is suited to a domestic environment, with pattern and tone used in an appropriately modest way; the other side typically employs more monumental motifs or oversized text works that relate to exhibition display and shop décor.

With one side always printed by Lipscombe and the other painted by McKenzie, the paravents symbolically and physically embody their artistic relationship. Never visible simultaneously except in the thin, colourful strips at their hinged edges, the division encapsulates the independence and interconnectedness of their practices within the collaboration, allowing for dissonance and contradiction without compromising reciprocity. In this the paravents have similar advantages to the quodlibets; by placing contrasting or complimentary material together, the intrinsic sovereignty of each piece is kept intact while new meaning is generated by the juxtaposition. They work together yet remain separate.

 

2015

Please contact Cabinet Gallery for sales enquires.

Size: 180 × 360cm

Material: Oil on canvas mounted on wood, silkscreen on cork mounted on wood, steel frame

Photo credits: Mark Blower

Cleo enamel badge

Cleo enamel badge

Cleo(patra VII) was created in the painting Tombraiders to advertise a fictitious record shop where the merchandise is so obscure that you’d have to be as intrepid as Laura Croft or Indiana Jones to uncover its hidden treasure. Atelier E.B’s visual identity and commercial ethos is inspired in part by the small independent record labels of the late 1970 and 1980s – Industrial, Factory, Sordide Sentimental and Twilight Records. The ambitiousness of their graphic design expressed an intelligence which activated the music it advertised.

Ost End Girls Collection, 2013

Price: £8.00 + P&P

Size: 4cm in height

Material: Enamel

Photo credits: Eileen Quinlan

The Inventors of Tradition II fabric poster

The Inventors of Tradition II fabric poster

2016

(Surrounding photographs are not included.)

Price: £30.00 + P&P

Size: 40 x 62cm

Material: Screen print on cotton

Photo credits: Atelier E.B

Ost End Girls look book
1 / 2
Ost End Girls look book
2 / 2

Ost End Girls look book

Published by Galerie Micheline Szwajcer, 2013
Softcover
128 pages

Price: £20.00 + P&P

Size: 16 × 22cm

Photo credits: Eileen Quinlan

Paravent VII (Terrazzo gold leaf IOTII / Jumbo labels)
1 / 2
Paravent VII (Terrazzo gold leaf IOTII / Jumbo labels)
2 / 2

Paravent VII (Terrazzo gold leaf IOTII / Jumbo labels)

Atelier E.B’s first paravent was made for The Inventors of Tradition project in 2011, which required a folding screen to break up the exhibition space. With it they discovered an idiom that could serve several purposes, acting a site for collaboration and experimenting with materials, as well as providing a bridge between art and design, painting and sculpture.

The works are functional room dividers and essential changing-room furniture in Atelier E.B’s shop installations. Nonetheless, they are priced as contemporary art, and it is their fine art status that subsidises Atelier E.B’s ethical fashion label. The income they generate provides the resources for lengthy periods of research and experimentation, and allows the price of the garments to remain as low as possible for the consumer.
As a general rule, one side of the paravent is suited to a domestic environment, with pattern and tone used in an appropriately modest way; the other side typically employs more monumental motifs or oversized text works that relate to exhibition display and shop décor.

With one side always printed by Lipscombe and the other painted by McKenzie, the paravents symbolically and physically embody their artistic relationship. Never visible simultaneously except in the thin, colourful strips at their hinged edges, the division encapsulates the independence and interconnectedness of their practices within the collaboration, allowing for dissonance and contradiction without compromising reciprocity. In this the paravents have similar advantages to the quodlibets; by placing contrasting or complimentary material together, the intrinsic sovereignty of each piece is kept intact while new meaning is generated by the juxtaposition. They work together yet remain separate.

2015

Please contact Cabinet Gallery for sales enquires.

Size: 180 × 360cm

Material: Oil on canvas mounted on wood, silkscreen on cork mounted on wood, steel frame

Photo credits: Galerie Micheline Szwajcer

Atelier E.B poster
1 / 4
Atelier E.B poster
2 / 4
Atelier E.B poster
3 / 4
Atelier E.B poster
4 / 4

Atelier E.B poster

…In the Cherished Company of Others…, a group exhibition curated by Marc Camille Chaimowicz, Mu-Zee, Oostende, 2008. The three individually designed posters were then produced as a single long poster for an Atelier E.B solo exhibition at The Lighthouse, Glasgow, 2008.

Atelier E.B is a collaboration between the designer Beca Lipscombe and artist Lucy McKenzie. The poster includes Bernie Reid who was one of the founding members and continues to be a close collaborator with Atelier E.B. The design highlights Lucy’s hand painting, Beca’s hand printing and Bernie’s hand stenciling – a pulling together of skills.

2008

Price: £30.00 + P&P

Size: 35 × 147cm

Material: Paper

Photo credits: Atelier E.B

Lucy plimsoles

Lucy plimsoles

IOTII Collection, 2015

Price: £40.00 + P&P

Size: 36/3.5, 37/4, 38/5, 39/6

Material: Cotton and rubber

Colour: white

Photo credits: Rob Smith

Paravent VIII (Uchiwa-e / Show fantasy escalette)
1 / 2
Paravent VIII (Uchiwa-e / Show fantasy escalette)
2 / 2

Paravent VIII (Uchiwa-e / Show fantasy escalette)

Atelier E.B’s first paravent was made for The Inventors of Tradition project in 2011, which required a folding screen to break up the exhibition space. With it they discovered an idiom that could serve several purposes, acting a site for collaboration and experimenting with materials, as well as providing a bridge between art and design, painting and sculpture.

The works are functional room dividers and essential changing-room furniture in Atelier E.B’s shop installations. Nonetheless, they are priced as contemporary art, and it is their fine art status that subsidises Atelier E.B’s ethical fashion label. The income they generate provides the resources for lengthy periods of research and experimentation, and allows the price of the garments to remain as low as possible for the consumer.
As a general rule, one side of the paravent is suited to a domestic environment, with pattern and tone used in an appropriately modest way; the other side typically employs more monumental motifs or oversized text works that relate to exhibition display and shop décor.

With one side always printed by Lipscombe and the other painted by McKenzie, the paravents symbolically and physically embody their artistic relationship. Never visible simultaneously except in the thin, colourful strips at their hinged edges, the division encapsulates the independence and interconnectedness of their practices within the collaboration, allowing for dissonance and contradiction without compromising reciprocity. In this the paravents have similar advantages to the quodlibets; by placing contrasting or complimentary material together, the intrinsic sovereignty of each piece is kept intact while new meaning is generated by the juxtaposition. They work together yet remain separate.

2015

Please contact Galerie Buchholz for sales enquires.

Size: 180 × 360cm

Material: Oil on canvas mounted on wood, silkscreen on cotton calico on wood, steel frame

Photo credits: Galerie Micheline Szwajcer

The Inventors of Tradition II book
1 / 5
The Inventors of Tradition II book
2 / 5
The Inventors of Tradition II book
3 / 5
The Inventors of Tradition II book
4 / 5
The Inventors of Tradition II book
5 / 5

The Inventors of Tradition II book

Atelier E.B and Panel’s first book The Inventors of Tradition (2011) mapped out connections across design, industry, fashion and fine art, uncovering linked aspects of Scotland’s unique heritage in textile making. With The Inventors of Tradition II, they expand their exploration to encompass Scotland’s recent cultural past, making new connection that brings together art, architecture, design and sub-cultural identities, to examine how style can function as part of a broader discourse.
Through this publication, Atelier E.B and Panel further explore the ideas presented within the collection, exhibition and events programme of the same name, which took place across Glasgow in 2015.

Edited by Catriona Duffy & Lucy McEachan (Panel). Texts by Michael Bracewell, Rebecca Gordon-Nesbitt, Fiona Jardine, Juliet Kinchin, Mason Leaver-Yap, Mairi MacKenzie, Ray McKenzie, Bernie Reid, Rebecca Wober and Linsey Young and interviews with Jill Bryson, Eric Michael and Ellen van Schuylenburch.

Published by Koenig Books, 2016
Softcover with PVC dust jacket and paper
240 pages
ISBN: 978-3-96098-002-5

Price: £38.00 + P&P

Size: 24 × 32cm

Photo credits: Markus Proschek, Eileen Quinlan, HIT

Paravent V (Bamboo Florets Burgandy / Paonazzo)
1 / 3
Paravent V (Bamboo Florets Burgandy / Paonazzo)
2 / 3
Paravent V (Bamboo Florets Burgandy / Paonazzo)
3 / 3

Paravent V (Bamboo Florets Burgandy / Paonazzo)

Atelier E.B’s first paravent was made for The Inventors of Tradition project in 2011, which required a folding screen to break up the exhibition space. With it they discovered an idiom that could serve several purposes, acting a site for collaboration and experimenting with materials, as well as providing a bridge between art and design, painting and sculpture.
The works are functional room dividers and essential changing-room furniture in Atelier E.B’s shop installations. Nonetheless, they are priced as contemporary art, and it is their fine art status that subsidises Atelier E.B’s ethical fashion label. The income they generate provides the resources for lengthy periods of research and experimentation, and allows the price of the garments to remain as low as possible for the consumer.
As a general rule, one side of the paravent is suited to a domestic environment, with pattern and tone used in an appropriately modest way; the other side typically employs more monumental motifs or oversized text works that relate to exhibition display and shop décor.

With one side always printed by Lipscombe and the other painted by McKenzie, the paravents symbolically and physically embody their artistic relationship. Never visible simultaneously except in the thin, colourful strips at their hinged edges, the division encapsulates the independence and interconnectedness of their practices within the collaboration, allowing for dissonance and contradiction without compromising reciprocity. In this the paravents have similar advantages to the quodlibets; by placing contrasting or complimentary material together, the intrinsic sovereignty of each piece is kept intact while new meaning is generated by the juxtaposition. They work together yet remain separate.

2015

Please contact Cabinet Gallery for sales enquires.

Size: 180 × 360cm

Material: Oil on canvas mounted on wood, silkscreen on cotton mounted on wood, steel frame

Photo credits: Jens Ziehe